* Premiere Pro MultiRender workaround implemented for Adobe markers bug, sometimes the duration of the export was off by one frame. Always test your hardware and software. It’s not an official version of ProRes for example ProRes 4444’s Alpha channel doesn’t seem to be accepted by Blackmagic Hyperdeck Studio Mini.įor H264 and H265, dimensions of the video must be even (=> odd resolutions will fail), except if you choose YUV 4:4:4 for H264 (for power users!)ĭon’t use the ProRes for broadcast. x264 RGB: same as x264 but avoids YUV colorspace, best for storing separate channels in one video like UV maps, alpha, 3D passes etc. x265: files are ~25% lighter than x264 for the same quality, but slower encoding A special Youtube Upload profile is provided, very easy to use! x264: best H264 / AVC implementation, outperforming both Adobe Media Encoder and QuickTime H264. HAP GPU accelerated codecs: 4 codecs (Hap, Hap Alpha, Hap Q and Hap Q Alpha), you can choose disable Snappy compression and change the number of CPU chunks, and for Hap and Hap Alpha you can choose your compression algorithm (each have their own tradeoff between speed and quality) ProRes 4444 Light / 4444 / XQ supports the Alpha Channel. ProRes: 6 official profiles (422 LT / Proxy / Normal / HQ / 4444 / XQ) and 2 unofficial profiles (422 Ultra / 4444 Light). After Effects, Premiere Pro and Adobe Media Encoder native exporters bringing you ProRes / H264 / H265 / HAP codecs for excellent quality and lightweight videos, on Windows and OSX, no Quicktime needed anymore!
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